本教程是关于Maya 2018飞船坠毁视觉特效完整实例制作视频教程，时长：12小时30分，大小：3.4 GB，MP4高清视频格式，教程使用软件：Maya 2018，附源文件，作者：Bhaumik Patel，共12个章节，语言：英语。

Maya参与制作的电影有：法国国宝级艺术家Jean Giraud，他原创的影片有《第五元素》、《异形》、《星战》等，并参与制作了《沙丘魔堡》、《深渊》等经典科幻电影；导演Glenn Chaika，著名动画片导演，曾在迪斯尼担任《小美人鱼》的动画师，并执导《拇指仙童历险记》、《花木兰II》等影片；模型监制Wayne Kennedy是曾参与过《隐形人》、《星球大战》、《龙卷风》、《黑衣人》、《木乃伊》的模型师；动画监制Bob Koch和Kelvin Lee是担任《 玩具总动员》、《精灵鼠小弟》等影片的资深动画师；特效指导Manny Wong曾担任《后天》的特效总监，并参与制作了《狂莽之灾I》、《星河战舰》、《巨蟒》、《魔女游戏》等影片。

In this intermediate level course, you will be taken through a VFX shot from start to finish by creating a crashed spaceship complete with CGI smoke!

Start by matching the movement of your real camera in the computer using Autodesk Matchmover which is available for FREE.

You will then model your spaceship using the industry standard Maya 2018 and unwrap the objects UVs so you can create textures.

You will then go on to light your shot to match the background using the industry standard Arnold renderer which is included in Maya 2018.

Finally you will output render passes using Arnold AOVs and Maya render setup, and composite them together using the industry standard compositor Nuke to make your final shot.

This course is designed to give you as much information as possible for you to create your own shots using the same workflow.

Take this course today to start creating photorealistic VFX shots!

What are the requirements?

Students should have a good basic knowledge of Maya before taking this course

A minimum of 16 gb of ram for smoke simulation and rendering

Maya 2018 or 2017

Download latest version of Arnold version 2.1.0.1 or above

What am I going to get from this course?

Learn the VFX pipleline for a shot

Matchmove or track a cameras motion in Matchmover

Basic hard surface modeling

Look development using Maya and Arnold renderer

Composite using Nuke

What is the target audience?

Anyone who wants to add a model made in the computer to video footage

Anyone who wants to create smoke in Maya

Anyone one who wants to get into the VFX industry

Anyone who wants to composite Computer graphics into live action footage