本教程是关于超级英雄的诞生数字绘画全过程大师级视频教程，时长：2小时30分，大小：2.5 GB，MP4高清视频格式，教程使用软件：Zbursh，附源文件，共5个章节，作者：Ryan Meinerding，语言：英语。

Photoshop是Adobe公司旗下最为出名的图像处理软件之一，集图像制作、广告创意、数字绘画，图像输入与输出于一体的图形图像处理软件，深受广大平面设计人员和电脑美术爱好者的喜爱。多数人对于PHOTOSHOP的了解仅限于“一个很好的图像编辑软件”，并不知道它的诸多应用方面，实际上，Photoshop的应用领域很广泛的，在图像、图形、文字、视频、出版各方面都有涉及.

Ryan will work through a series of rough character designs showing how he develops ideas for visuals based on narrative. The class will focus on creating a hero and a villain for a story and show the main characters visual journey through the narrative.

Ryan Meinerding is the Head of Visual Development at Marvel Studios. He has been with Marvel Studios since the early days of 'Iron Man,' helping to design the look and feel of the Marvel Cinematic Universe.

Ryan Meinerding grew up in Suburban Northeast Ohio. He always had a crayon in his hand while growing up, until he traded it for an airbrush in high school. He studied Industrial Design at the University of Notre Dame and Illustration at the Art Center College of Design. While attending school, he worked on video game titles like 'Gauntlet: Seven Sorrows' and 'Return to Castle Wolfenstein 2.'

In his last semesters at Art Center he had the opportunity to leave school to work with one of his heroes, Iain McCaig. That opportunity was Ryan's first film character design project, a movie entitled 'Outlander.' Iain's company worked on a few subsequent projects, one being Jon Favreau's version of 'John Carter of Mars.' This project allowed Ryan his first attempts at keyframe illustrations, and these images resonated with the director and helped define the look and feel of that version of the film.

Jon Favreau decided not to continue with that project, but hired Ryan onto his next film: 'Iron Man.' Ryan designed the Mark 1, and worked with Adi Granov to create the Iron Monger. Ryan also continued to do keyframe illustrations, helping to define the look and feel of the scenes in Tony's garage and in the cave.

After 'Iron Man,' Ryan left Marvel briefly to illustrate costumes for 'Watchmen' and do robot design for 'Transformers: Revenge of the Fallen.' Upon returning to Marvel Studios, the producers asked if he would stay on full time and help design the look of the Marvel heroes and villains. He lead character design on Iron Man 2, and worked on keyframe and concept design for Thor. He has done the concept design for all of Captain America's suits, and along with Charlie Wen, led a Visual Development team of artists to accomplish the character designs for the Avengers and Avengers: Age of Ultron. Last year he finished work on one of his favorite superheroes for Spider-Man: Homecoming, as well as revisited the Avengers for Infinity War and ventured into the new world of Black Panther, both out this year! He is currently working on new Marvel Studios projects.